Random Walk, Feeding, and Weather
The installation transforms computational infrastructure into a live spatial ecosystem, where modular structures, real-time generated language, and machine-produced airflow guide viewers through a non-directed “random walk” shaped by distributed and emergent systems.
TEXTTEXT
Merve Mepa’s work responds to the expanding landscape of digital infrastructure. Drawing from data theory, ecological thinking, feminist methodologies, and what she terms “minoritarian technologies”, Mepa creates generative spatial systems that function both as immersive artworks and speculative infrastructures. Her sculptural installations incorporate data flows, cloud technologies, and technical tools such as statistical modeling, distributed networks, and algorithmic systems. Influenced by hacktivism, DIY culture, and open-source movements, Mepa’s practice develops spaces for resistance within dominant technological regimes.
With Random Walk, Feeding, and Weather (2025) Mepa stages a sculptural installation composed of modular grid panels, voids, and raised segments that disrupt linear movement and guide viewers into non-directed, embodied navigation, or according to the artist, a “random walk.” A central vertical sculpture, recalling data streams, nervous systems, and infrastructural networks, anchors the space while encouraging shifting vantage points and physical engagement.
The installation unfolds as a live server-based ecosystem: open computers embedded in the platform generate language in real time, producing phrases that circulate through the gallery accompanied by airflow generated from cooling systems, turning computation into a form of ambient “weather”. These elements reflect on how data, affect, and knowledge circulate in algorithmic space.
In this work, Mepa embraces a trans-individual meta-media interface; this is a mode of presentation that neither isolates viewers nor caters to passive spectatorship, but rather invites a collective encounter with systems that are alive, unstable, and emergent. Random Walk, Feeding, and Weather critiques centralized technological systems by proposing a feminist, distributed approach to infrastructure: one that is affective, ritualistic, and responsive. As such, Mepa asks how we might reimagine technological space not as a site of control, but as one of shared rituals, care, and renewal.
- Year
- 2025
- Medium
- Galvanized steel panels, air ducts, pipes, metal racks, open-air computers and fans, seating unit, screens, LED lighting, quartz crystal singing bowl
Dimensions variable - Commissioned by
- 18th Istanbul Biennial, Galata Greek School, 2025
- Curator
- Christine Tohme
- Supported by
- SAHA Association


